“Visual Storytelling in Advocacy Films: Cases from Palestine and the Globe” رسالة ماجستير

Abstract

In a world where films are increasingly becoming more influential, visual storytelling, especially in films that promote the rights of marginalized groups, is becoming impactful on social movement and change. This study delves into exploring the cinematic narratives from various angles, highlighting the unique role that films play in promoting the rights and representations of marginalized groups in Palestine and around the world. By examining five films, this research looks at how films can serve as a vehicle for change through means of advocacy and positive representation. A qualitative narrative analysis was employed, encompassing a close analysis of five films that are from USA, Nigeria, India, Palestine, and Lebanon, by examining their cinematographic elements such as character positioning, camera angles, and narrative structure. These elements were analyzed through the lens of framing and representation theories. The study concludes that visual storytelling serves as an effective tool for representing marginalized groups and advocating for different social norms by eliciting empathy and catalyzing social activism. It also shows that films employ both micro and macro components in framing advocacy messages, offering a representation of the complexities and challenges faced by those groups pushing against stereotypes and societal challenges and norms. The study concludes that advocacy films, particularly those helmed by female directors and producers can contribute to the elevation of marginalized voices, where they serve as critical tool in shifting norms and underscoring the transformative power of cinema in advocating for social justice