Please use this identifier to cite or link to this item: http://repository.aaup.edu/jspui/handle/123456789/1945
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dc.contributor.authorAzmooti, Baraa$AAUP$Palestinian-
dc.date.accessioned2024-08-15T07:47:14Z-
dc.date.available2024-08-15T07:47:14Z-
dc.date.issued2023-11-
dc.identifier.urihttp://repository.aaup.edu/jspui/handle/123456789/1945-
dc.descriptionMaster`s degree in Literature and Intercultural Communicationen_US
dc.description.abstractThis study examined the influence of Palestinian Hip-hop on youth identity by analyzing the themes in Hip-hop lyrics. It focused on how Hip-hop culture shapes Palestinian youth's identity formation in the West Bank. To conduct the analysis, 30 mainstream and underground rap songs were analyzed using content analysis and Voyant Tools. The study found several dominant themes, including social issues, friendship, occupation, and nationalism. Notably, Palestinian Hip-hop artists utilized their music to express the social and political realities they faced, effectively addressing topics such as oppression, poverty, and pride in their nation. Through their lyrics, they depicted the sociopolitical context in the West Bank, highlighting the struggles, resilience, and aspirations of the Palestinian people. Ultimately, Palestinian Hip-hop emerged as a powerful form of cultural resistance, empowering youth and challenging prevailing narratives. However, it is crucial to consider the potential challenges and misrepresentations associated with Hip-hop's influence.en_US
dc.publisherAAUPen_US
dc.subjectFunctions of Hip-hop Culture,The Global Influence of Hip-hop,Youth Identity,Palestinian Hip-hopen_US
dc.title“Occupation is my Trademark”: A Content Analysis of the Palestinian Mainstream Hip-hop Songs in the West Bank رسالة ماجستيرen_US
dc.typeThesisen_US
Appears in Collections:Master Theses and Ph.D. Dissertations

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