The Reflection of Social Life in the Palestinian Cinema (Hani Abu Asad’s Films as a Case Study) رسالة ماجستير

Abstract

This study aims to investigate the reflection of Palestinian social aspects; social structure (gender roles and marriage), social and family solidarity, and the construction of national identity in five of Hani Abu Asad's films; Rana's Wedding (2002), Paradise Now (2005), Omar (2013), The Idol (2015), and Huda's Salon (2021). This study was conducted in 2024-2025. This study uses the qualitative research approach by analyzing the mentioned films using the thematic analysis method. Moreover, this research uses Foucault's theory of power to examine how power relations; sovereignty power, disciplinary power, and bio power, influence social life and shape it. The researcher also uses Hall’s theory of cultural identity to investigate how the Israeli Occupation influences Palestinian identity. The results indicate that Abu Asad presents the influence of the Israeli Occupation's power, social expectations, family, patriarchy, and collective resistance in constructing Palestinian social aspects and Identity in his films. These dynamics intertwine in society; Israeli Occupation and social expectations are the dominant themes in the films. They shape gender roles, marriage, and national identity. Besides, creating bonds among Palestinians that enhance social solidarity through armed resistance and collective unity. On the other hand, patriarchy plays a huge role in shaping marriage and gender roles. Future research would investigate Palestinian films in specific times and genres, besides conducting Comparative studies between films with other national cinemas. Additionally, studies should analyze cultural and social issues represented in Palestinian films. Moreover, comparing Palestinian society in reality with its representation in Palestinian films. In addition, investigates the influence of external funds on the narrative of Palestinian films.